I finally thought that the Chinese yard is the most beautiful yard in the world

When British poet William Clerk wrote \”A sand, a world, a flower, a day of heaven\”, he might not have thought that the Orientals had long solidified this universe between the square courtyard .

Chinese-style yards are not simple architectural surrounds, but poems written with blue bricks and black tiles, and philosophy written with curved corridors, and are also the spiritual origin of Chinese people. The concrete presentation of

01. Heaven and earth are scrolls, and the courtyard is built into a poem

Push the thick red lacquer door, and the surface is not the space built with bricks, but the flowing long scrolls of landscapes)

Chinese What is most moving about the yard is not the beauty of carved beams and paintings, but the natural result of \”although it is made by people, it is like it opens from the sky\”.

Suzhou Netizen Garden takes \”the moon comes to the pavilion\” as the focus of vision, and uses framed scenery to inject the mountains and water into the window; the crabapple trees in Beijing Siheyuan must be planted in the southeast of the main house, which can not only nourish the morning light, but also secretly match the purple air The auspiciousness of the east.

This humble attitude towards nature makes every courtyard a slight ecological system.

Moss climbs up to the Taihu stone record the time scale, the water of the turtle pond breaks the tranquility of the reflection, and the banana leaves at the corners knock on the slightest foot in the rain.

Apricot flowers are sparse under the hanging flowers in spring The silk in the shadow is made of fragrant flowers; next to the grape trellis on summer night, the flowing points are accompanied by the sound of palm-leaf fans; on the leaking window in autumn morning, the sweet fragrance of gold and osmanthus intersects with the ink fragrance of books; in the corridor at winter noon , Warm sun outlines hazy light spots on the ice cracked window.

Yangzhou Garden uses different stones to perform four seasons: 子Stones are like spring, lakes and stones are summer, yellow stones become autumn, Xuan stones make snow, solidifying the time dimension in a square world.

The pink tiles in Jiangnan are dyed into long coils of ink and wash in the smoke and rain, and the ladder-shaped wheels of the Huipai horses Metaphorizes \”step-by-step progress\”.

The courtyard in the north uses bright and large doors to highlight the dignified dignity, and the carved birds hanging from the flower doors hide the heart of the craftsman; the ear walls in the south It is both resistant to the Taiwanese style and takes the \”individually occupying the head\”, and the doors are opening and closing to rush and rush the market to smoke.

This regional architectural language makes each yard a three-dimensional dictionary of local culture.

02. Craftsmanship brings souls, and the world is close to you

Touch the crown of the park Only by concave and convex lines of cloud peaks can you understand what it means to be \”a roll of mountains, a spoonful of water\”)

119 kinds of stones recorded in the Song Dynasty \”Yunlin Stone Spot\” , a landscape painting that turned into three-dimensional in the hands of craftsmen. Yuling in Henan Province, Shanghai has 72 holes of slumber all over her body, \”The fragrant incense is placed on the bottom of the stone, and the smoke penetrates the hole.\”

Hushi Rock Mountain in Xiangxiu Mountain, Suzhou, Fu Wen is in \” The mountain letter notes record the four absolutes of \”navel, transparent, leaky and thin\”. Walking between them, you can feel the fun of \”looking at the mountains and moving step by step\”.

These stone patterns are engraved with the abstract refinement of the natural landscape by the garden.

The \”Little Flying Rainbow\” corridor of Humble Administrator\’s Garden cuts the water surface into a virtual painting scroll, and retreats to the \”Red Boat\” stone of the Garden of Mind The ship is always moored in the middle of the ripples.

The more exquisite ones are like the \”Eight Music Swords\” in Wuxi\’s Garden, which leads the Huishan Spring Water to fall and collide with the rugged rocks.

This control of water elements is in line with the wisdom of \”The Supreme Goodness is Like Water\” in \”Myth\” and allows the static courtyard to have a flowing law.

Wen Zhenheng sets the elegant and vulgar standards for planting in \”Changwuzhi\”: Plum Blossoms , the willows should be slanted, and the pines and cypresses should be ancient and simple.

The \”Ancient Trees and Kinds\” in the park are formed by the intercourse of the century-old ancient cypresses and the female ceremonies. The green bamboos in the Lang Pavilion should be combined with each other. The meaning of \”Sunlight passes through bamboo and green ling\” is that the \”Dianchun Huang\” in the Internet Garden uses peony medicine to show the late spring lingering \”Thank you for the loneliness of chemical industry, and still keep the spring lingering of the peony medicine in the palace\”.

Each plant is an extension of the owner\’s spiritual world , to form a metaphorical green symbol system.

03. Wenxin Diaoyuan, Symbol Secret Land

The snout on the roof is not only a fireproof component, but also acknowledges the \”Nine Sons of Dragons\” Myth.

The four-season floral pattern on the door hairpin suggests the prayer of \”four-hour auspiciousness\”; the \”cross-back\” pattern in the valley means long-lasting , also implies the principle of six-sided shape stability.

Even the seemingly ordinary tiles, when the Qinglong patterned tiles of the Han Dynasty were unearthed in the west, you can still feel the directional mystic machine of \”the left green dragon and the right white tiger\”.

Beijing Siheyuan\” North House The pattern of \”reign, two parts are the same as the times, and the reversal is the space projection of Confucian ethics;The layout of Suzhou\’s retreating garden \”the separation of the house and the east garden in the west\” contains the introspective wisdom of \”the retreat and thinking about it\”.

The concentric circular structure of Fujian land buildings is a material evidence of clan cohesion. The Chinese architecture passwords composed of these spatial syntax convey cultural genes more intuitively than any text.

The \”Quyitong Secluded\” of the grand park in \”Red Building Dream\” has turned into a zigzag gallery in front of the \”Five Peak Fairy Hall\” in the park.

Bai Juyi\’s \”moving the scenery and covering the deep courtyard\” is concretely reflected in the osmanthus corridor in the coupling garden; Li Qingzhao\’s \”deep courtyard\” pursuit is numerous The level of the moon gate is responded to.

The intertextuality of literature and architecture makes every yard a habitable Tang and Song lyrics.